山出 - 卞青个展

Mountain Wave : Solo Exhibition of Bian Qing

策展人/ Curator:  鲍栋 Bao Dong

展览时间/ Date:  2017.8.12 - 9.24

开幕式/ Opening:  2017.8.12 (Sat) 3:00pm

展览地点/ Venue:  亚洲艺术中心（北京） Asia Art Center (Beijing)

北京市朝阳区酒仙桥路2号大山子798艺术区（周一休馆）

Dashanzi 798 Art District, No.2, Jiuxianqiao Rd., Chaoyang District, Beijing

电话/ Tel:  +86-10-5978-9709/10

传真/ Fax:  +86-10-5978-9708

网址/ Website:  www.asiaartcenter.org

邮箱/ E-mail:  beijing@asiaartcenter.org

微博/ Weibo:  weibo.com/asiaartcenter  @亚洲艺术中心

微信/WeChat:  Asiaartcenter  亚洲艺术中心

亚洲艺术中心（北京）将于8月12日至9月24日举办展览“山出 - 卞青个展”。本展览由鲍栋策划，展出艺术家包括“隐山集”与“显山集”两个系列作品，共计三十余件。

在卞青的绘画中，“山水”既是一种精神性的文化原型，也是一种历史化的绘画资源，这两个维度在他的作品彼此交织，互为隐显。

在精神的层面上，“山水”是一种象征性的存在，一种超越实相的理念，可谓之以“道”或“意境”等传统哲学、美学概念。在这个意义上，卞青的艺术实践与古人是相通的，都在诉求着一种超出眼前具体现实与个体主观感觉的艺术。因此，即使他的作品早已超出传统绘画媒介的界限，但依然能让我们体会到一种与传统共同的感性状态与趣味指向。

在绘画史的层面上，卞青把传统山水画中的山、石、云、水、树等视觉元素，以及勾、皴、擦、点、染等笔法元素一一分解，再重组在新的空间结构中。这些元素的组合并不以自然或程式为依据，也不再依循山水画的风格史线索，不重“法度”，但通“脉络”，卞青似乎是在引用与注解的维度上平行与传统山水画，换句话说，他的绘画是对传统山水画的评论及引申。而现代主义绘画的遗产，如包括边框、颜料、身体等在内的物性维度也被卞青纳入进了这种主动与历史相应的场域，以可感的方式连接起象征性的“自然”与实在性的自然。

用“山出”这个非常象形又有些生僻的词语作为标题，一是在字面上描述卞青的工作与山水画的关联，二是在提示他的工作方式：在分解、重构、再造中去超出并对应。

Asia Art Center(Beijing) will be held the exhibition “Mountain Wave: Solo Exhibition of Bian Qing” from 12th August to 24th September, which is curated by Bao Dong. The exhibition will be display two series of artworks including “Anthology of Hidden Mountains” and “Anthology of Visible Mountains”, which in totally thirty exhibits.

In Bian Qing’s paintings, the “landscape” is a cultural model of spirituality and a painting resource that has been historicized. These two dimensions interweave in his work, concealing one another.

From a spiritual perspective, “landscape” is a symbolic existence; it is a belief beyond reality, and it may be referred to as a “Tao”, a “state of mind” and other traditional philosophical and aesthetical concepts. Within this particular context, Bian Qing’s artistic practice correlates with that of an ancient, as they both plea for a form of art that exceeds beyond tangible reality and individual subjective feelings. Therefore, his works may have surpassed the limits of traditional painting media yet still allow us to experience a sensibility and intrigue like those visible in traditions.

From the perspective of the history of painting, Bian Qing gradually deconstructs the visual elements of mountain, rock, cloud, water and tree of traditional landscape paintings as well as brush techniques such as gou (hook), cun (texture), ca (stroke), dian (dot) and ran (coloring) before reconstructing them in a new spatial structure. The arrangement of these elements is not based upon nature or a program, and no longer follows the lead of styles of landscape painting. “Uninterested in ‘order’ but fluent in ‘context’” – on the dimensions of citations and annotations, it appears they draw parallels between Bian Qing’s work and traditional landscape painting. In other words, his paintings are a critique and extension of traditional landscape paintings. As for the legacy of modernist painting such as framing, paints, human figure and other dimensions of physical properties, Bian Qing has included them in this field that actively correspond with history and attaches symbolic “nature” with actual nature in a perceivable way.

The title, Mountain Wave, is comprised of a very pictographic and rather peculiar character phrasing. First of all, the title literally illustrates the relation between Bian Qing’s work and landscape painting. Second, it hints at his working method: to deconstruct, reconstruct and rebuild to excel and complement.

显山集 03781702Anthology of Visible Mountains 03781702 100x180cm 布面综合材料Mixed Media on Canvas 2017

显山集 03781704Anthology of Visible Mountains 03781704 100x180cm 布面综合材料Mixed Media on Canvas 2017

显山集 03781706Anthology of Visible Mountains 03781706 100x180cm 布面综合材料Mixed Media on Canvas 2017

显山集 03781708Anthology of Visible Mountains 03781708 100x180cm 布面综合材料Mixed Media on Canvas 2017

隐山集-二月初十Anthology of Hidden Mountains-The Tenth Day of Second Month-48x360cm-布面综合材料Mixed Media on Canvas -2017

隐山集-四月初十Anthology of Hidden Mountains-The Tenth Day of Fourth Month-80x100cm-布面综合材料Mixed Media on Canvas-2017

隐山集-四月十六Anthology of Hidden Mountains-The Sixteenth Day of Fourth Month-48x360cm-布面综合材料Mixed Media on Canvas-2017

隐山集-四月二十四Anthology of Hidden Mountains-The Twenty-fourth Day of Fourth Month- 100x80cm 布面综合材料Mixed Media on Canvas-2017

隐山集-五月初六Anthology of Hidden Mountains-The Sixth Day of Fifth Month-48x360cm-布面综合材料Mixed Media on Canvas-2017

隐山集-五月初六（局部）Anthology of Hidden Mountains-The Sixth Day of Fifth Month-48x360cm-布面综合材料Mixed Media on Canvas-2017

隐山集-五月初六Anthology of Hidden Mountains-The Sixth Day of Fifth Month-80x100cm-布面综合材料Mixed Media on Canvas-2017

隐山集-五月二十四Anthology of Hidden Mountains-The Twenty-fourth Day of Fifth Month-56x83cm-布面综合材料Mixed Media on Canvas-2017

隐山集-六月十四Anthology of Hidden Mountains-The Fourteenth Day of Sixth Month--140x245cm-布面综合材料Mixed Media on Canvas-2017

隐山集-六月十九Anthology of Hidden Mountains-The Nineteenth Day of Sixth Month- 48x360cm 布面综合材料Mixed Media on Canvas- 2017

隐山集-六月十九Anthology of Hidden Mountains-The Nineteenth Day of Sixth Month 48x255cm 布面综合材料Mixed Media on Canvas 2015


隐山集-六月十九Anthology of Hidden Mountains-The Nineteenth Day of Sixth Month- 100x80cm 布面综合材料Mixed Media on Canvas- 2017


隐山集-六月十九Anthology of Hidden Mountains-The Nineteenth Day of Sixth Month-56x83cm-布面综合材料Mixed Media on Canvas- 2017